Dunhuang
&;
&;
Dunhuang
is a village in western China in the Gobi desert, lying in a
valley formed by the confluence of the Quilan and Beishan rivers within
the
Yushaquan basin. It is essentiually an oasis in the Gobi desert.
In
ancient times it was an important stopping place for traders, pilgrims,
and
other travelers to and from China via the western approaches known as
the "Silk Road."
Nearby are
hundreds of "Mogao caves," or Buddhist temples which were carved out of
rock between the 4th century during
the Period of Sixteen Kingdoms (366-439 C.E.) to the 14th century with the end of the
Mongol Dynasty (1227-1368 C.E.). The caves were for nearly a thousand years
the repository of tens of thousands of ancient documents as well as
over 3,000 scuptures, and miles of painted murals.
Most of this ancient learning and artistic treasurers were hidden away
in sealed rooms at some unknown time in the distant past, then further
buried by centuries of neglect and blowing sand. The earliest
documented discovery of the Mogoa grotto contents dates to 1900.
Owing to anti-colonial strife, world wars, and the people's revolution,
serious archaeological excavation did not become feasible until the
1970's. What has been uincovered so far is as dramatic as it would be
were we somehow to discover the Alexandria Library did not burn after
all. Dunhuang's caves hold within them a vast collection of
ancient works authored not only by indigenous Chinese and Indian
Buddhists but also the thoughts and insights of countless foreign
travelers from far away to the west, north, and south.
In 1987, the Mogao Caves of Dunhuang were formally designated a World
Heritage Site by UNESCO. Today, Dunhuang has become a tourist
destination. But important archeological excavation and research
continues.
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Art
Review
"ZHIWEI
TU: The
Inextinguishable Soul"
Adapted from
"The Dunhuang
Music-and-Dance Oil
Painting Exhibition of Zhiwei Tu"
by Chen Ching Shan
1997
Edited by J.C. Barrett
An Ancient
Flash of
Light
Dunhuang
is today a sleepy, small town at the edge of the Gobi desert in western
China. In the earliest years of the Han Dynasty (205-247 B.C.),
however,
it had become a thriving commercial trade center, the Gateway to the
Silk
Road. Indeed, the town's very name evokes the excitement of its origins
as a cultural crossroads.
name="Inextinguishable">Dunhuang
is a combination of two Chinese words. The word "dun" means big
and
"hung" means flash of light. Dunhuang, accordingly, refers to the
"enormous flash of light" produced by the fusion of Chinese and Western
cultures brought about by the silk trade two millennia ago.
Dunhuang
became not only a commercial metropolis but also the center of Buddhist
art during the Northern Wei Dynasty (386-533 A.D.). It was the
'enormous
flash of light' that attracted Chang Ta-chien to the treasure-trove of
Dunhuang and spurred his talents. Similarly, its beckoning was
the
attraction that tempted the Paris-based Chang Shuhong to abandon his
achievements
and return to China to guard and devote himself to the art of Dunhuang.
A Modern Day Flash
Today,
after the enormous flash first made its debut appearance in the 26th
year
of the Guangxu reign, artist Zhiwei Tu re-ignites the flame of Dunhuang
with his world-class series of paintings titled "Dunhuang
Music-and-Dance.&;
In
the mid-1980s, upon completion of his post graduate programme at the
Guanzhou
Art Academy, Zhiwei embarked on a journey to Dunhuang to research and
sketch
the astonishing riches of the Mogao Caves. Not only did the
rigorous
trip to the world-famous Buddhist cave-paintings fail to dampen his
ardor
for learning the secret of Dunhuang art, the vivid colour of the 2,000
year old murals made a strong visual and spiritual impact on him.
The mystical origins of the Mogao Caves, built in the second year of
the
pre-Qin period by a monk who is said to have sighted a strange golden
light
in the image of a thousand Buddha on entering Dunhuang, moved
Zhiwei
Tu deeply and prompted him to sketch a painting titled Dunhuang.
The
series of original Dunhuang mural paintings stretches to 25,000 meters
and is a rare gem of world art. In this artistic haven, Tu Zhiwei
assimilated the colour, line, and creative inspiration of the great
works.
In 1990, having accumulated the essence of the Dunhuang spirit he
painted
"Dancing While Paying Pipa,&; a mammoth oil painting in a magnificent
composition.
&;Dancing While Playing Pipa" caused a stir in Chicago and within weeks
of the exhibition it was bought by a collector for a sizable 6-figure
sum.
The Music-and-Dance Series of
Zhiwei Tu
Taking
Dunhuang as a point of reference, Mr. Tu subsequently created several
other
oil paintings on closely related themes, among which are "Testing the
Score&;
and "Musical Indulgence." All are imaginative, superbly crafted,
vivid evocations of ancient life in Dunhuang. "Dancing While
Playing
Pipa" was a repeated theme of the ancient masters of the Tang and Song
dynasties. Many hundreds of years later, as the Second Millennium
comes to a close, Mr. Tu aptly makes another mark in art history with
his
variation on the ancient theme of &;Dancing While Playing Pipa."
Tu
is in his prime. His natural oil technique and solid foundation
in
realistic depiction enable him to express himself freely and with great
power and joy. Through the Dunhuang Music-and Dance series of oil
paintings
his passion for painting, his excellent mastery of colour and sense of
rhythm, and his zest for life and music shine through brightly.
In
the presence of these paintings by Zhiwei Tu, one feels life itself is
renourished and reaffirmed by the painter's boundless creative energy
and
joy.
In
the paintings of this series, the inextinguishable 'enormous flash' of
Dunhuang art once again unveils its rich life force and artistic
soul.
At the same time, you and I, in appreciation of such remarkable
endeavor,
are awed and blessed by the inextinguishable soul -- the revival of the
glory of the sparkling Dunhuang Music-and Dance art.
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TO SEE THE DUNHUANG SERIES OF PAINTINGS